Wednesday, December 29, 2010
Monday, December 27, 2010
An Amateur Boxers Diet
(ie, by George Orwell to David Cronenberg without understanding why). I finished The mechanism of forchincastro available here and read for (much) curiosity, because a year here he was receiving conflicting opinions completely, enthusiastic or negative. I do not like it. Perhaps the ideas of departure could make a very good job, but there in too much of everything and often contradictory (a friend suggests to me that the correct term is "barely coherent plot").
WARNING, SPOILER!
It opens with a beautiful setting Orwellian (the claustrophobic and suffocating presence of the Committee, the views of Genoa dying drowned in concrete, the atmosphere of suspicion and denunciation) and ends with an unlikely scenario worthy of Cronenberg's "Brood - The evil brood".
visions and unlikely places (the part of the sanctuary is a kind of dream-like brackets that you put too much in contradiction with the rest, including the final), at the end of the world as we know it - or just the end of the world, it seems to me that the most likely scenario. Everything seen through the eyes of a member of forchincastro body's special committee in charge of "care" of patients by drawing, the subject still alive, the gland pineale e da lui raccontato in un linguaggio volutamente troppo colloquiale e che non riesce a restare tale dall'inizio alla fine del romanzo (in chiusura il protagonista pare abbia imparato una quantità incredibile di nuovi vocaboli).
In lettura al momento ci sono Primo Mazzini
di Simone M. Navarra e, a seguire,
Momenti di trascurabile felicità
di Francesco Piccolo, trovato sotto l'albero. PS: A quel che c'era sotto l'albero ho promesso di dedicare un altro post. Come sempre, tutta colpa di mia sorella. O Me, maybe. Never forget that everything you say or do could be used against you. :-P
Friday, December 24, 2010
Belt Pattern Jeep Liberty
slowly dies who becomes a slave of habit,
repeating every day the same itineraries,
who does not change the march
who does not risk and change the color of the clothes,
chi non parla a chi non conosce.
Muore lentamente chi evita una passione,
chi preferisce il nero su bianco
e i puntini sulle "i"
piuttosto che un insieme di emozioni,
proprio quelle che fanno brillare gli occhi,
quelle che fanno di uno sbadiglio un sorriso,
quelle che fanno battere il cuore
davanti all'errore e ai sentimenti.
Lentamente muore
chi non capovolge il tavolo,
chi è infelice sul lavoro,
chi non rischia la certezza per l'incertezza per inseguire un sogno,
chi non si permette almeno una volta nella vita, di fuggire ai consigli sensati.
Lentamente muore chi non viaggia,
chi non legge,
chi non ascolta musica,
chi non trova grazia in se stesso.
Muore lentamente chi distrugge self-love,
who does not accept help
who passes his days complaining
of his bad luck or the incessant rain.
slowly dies
who abandons a project before starting it,
who does not ask questions on subjects he does not know
who does not answer when asked about something that knows.
Let's avoid death in small doses,
remembering that to be vivo
richiede uno sforzo di gran lunga maggiore del semplice fatto di respirare.
Soltanto l'ardente pazienza
porterà al raggiungimento
di una splendida felicità.
Elisa
Tuesday, December 21, 2010
How To Know If Cartier 20-61323 Is Legit
Wednesday, December 29: Via Audio Night
arch @ La Casa 139
via Ripamonti 139, Milan
CASADOR (or singer Alessandro Raina _ GARDENS OF MIRO ', component AMOR FOU)
+ Waiting For Memories in concert
Top
H 22.00 - € 6
Subscribe Arci card with Via Audio
wants to greet 2010 in the best way, or taking on the prestigious stage
La Casa 139's solo project ALESSANDRO RAINA, leader of the AMOR FOU
and former voice of GARDENS OF MIRO '. Casador is the international project Raina,
that saw him performing for dozens of dates in Germany and Luxembourg. A project of
disarming elegance, where one of the most beautiful voices of Italy expresses beautifully
brought all their emotional accompanied by Paul Perez, who instead of Amor Fou is the bass player. In the opening
Waiting For Memories, a child prodigy of the new indie scene in Milan.
Office promotion Lunatik - 035 4421177
Ozark Trail Outdoor Equipment
Martedì 28 dicembre 2010
Via Audio Night @
arci La Casa 139,
via Ripamonti 139, Milano
NIHIL EST
+ Luca Serà in concerto
H 22.00
Sottoscrizione 5€ con tessera Arci
Come suggerisce anche il nome, i Nihil Est non si pongono esattamente come cantori della modernità. Le loro canzoni odorano di mondi antichi, di elementi primordiali, di legna, fuoco, pioggia, dipingono paesaggi punteggiati di stoppie che bruciano e borghi abitati da malelingue che si incontrano all'ora del rosario, sgozzano maiali e bevono vino da dopolavoro. E così anche la musica arriva da luoghi arcaici, is the tale told by a storyteller a winter evening ("Ten minutes on the phone") are the "moaning sluts pigs slaughtered in the country to celebrate a violin and tambourine" ("Fire"). But now the music sleeps undersold by a merchant of visions and hollow chants ", and with their violins, accordion, harmonium, but also with a dream and unobtrusive use of electronics, i want to be the Nihil Est" Modern Prometheus that contain the fire, and the muse in a hysterical and joyous explosion of color. " You will hear that stuff.
NIHIL EST
Tag Clouds night;
Seahorse Recordings www.myspace.com / Nihil Est nihilestmusic
present their first disco, "Nuvole Notturne".
Il nome del gruppo richiama le argomentazioni gorgiane sul non essere, senza assumere dichiaratamente alcuna posizione filosofica, ma semplicemente abbracciando l'ottica di un procedimento compositivo privo di schemi o stili a priori.
La band è composta da sei elementi, che garantiscono un armamentario sonico piuttosto ampio. Ma non solo…Dagli arrangiamenti, dalle aperture inaspettate che hanno molti brani, si evince un bagaglio di cultura musicale immenso. Il risultato è un disco che naviga con sapienza tra alt rock, ballate d’ambiente, elettronica e non dimentica le radici della musica italiana e in particolare la lezione del cantautorato, ben rappresentata dal flusso di parole mai scontate, sempre delicate, del cantante e autore dei testi.
BIOGRAFIA
La formazione dei Nihil Est è un processo abbastanza lungo, che parte nel 2005 e si conclude soltanto all'inizio del 2009, con l'ingresso di Jacopo al basso. Si sviluppa tra diversi cambi di struttura, genere e stile, attraverso i quali del nucleo originario rimangono solo Luca (chitarra solista) e Vito (voce e successivamente sintetizzatore e drum machine), che suonano già insieme in altri progetti dal 2002. Nel 2007 Domenico imbraccia la seconda chitarra, e nel 2008 si aggiungono Viola (tastiere, sintetizzatori, cori) e Nicolò (batteria). A Maggio del 2009 registrano assieme al fonico William Novati una demo di quattro pezzi presso il Downtown Studios di Pavia, in which to collaborate Federico De Zottis saxophone and Emiliano Bianchi (Babbuzti Orkestar) to the French accordion. The work shall be heard and appreciated by the producer Sir Paul, who proposed the group a recording contract for a period of two years with its Seahorse Recordings.
promotion Lunatik Office - 035 4421177
Thursday, December 16, 2010
Wednesday, December 15, 2010
Whats A Good Leave In Conditionr For Curley Hair
Friday, December 31, 2010 NEW YEAR TO BRIDGE CRANE,
via a Granelli, Sesto San Giovanni (MI)
ANDY (Creeper Lagoon) DJ Set + DJ Set + Beatrice Antolini WE ARE Dj Set
Gates Open: 22:30 H
Entrance: 5 €
Info line: cell
+39392 3244674 mail: info@carroponte.org
that 2010 was a year
better looking thanks to that which was awarded at MEI in Faenza
arena as the best summer of the beautiful country, or the Crane area of \u200b\u200bSesto San Giovanni,
there is little doubt. But woe to stop. The coming year is more important, and it should accept and meet him with a celebration as it should.
With the fireworks of the versatile ANDY Dj Set of Creeper Lagoon,
with that of the enfant prodige Beatrice Antolini, and the inspiration
experimental WE ARE (avant-garde collective of djs).
hard to find a lower entrance fee (5 €!)
hard to brave the cold, they will say. Who does not love to get together, we reply.
In what was the square of over 100,000 people for more than four months.
Wednesday, December 8, 2010
What Is Compatible With A Pieces
Terminato questa notte "Alice senza niente" di Pietro De Viola, anche questo disponibile gratuitamente in rete
qui , come il precedente romanzo di Simone M. Navarra.
elsewhere, is one of those novels that when you look in the mirror close to you and ask questions. There are many uncomfortable truths, in: the weight of thirty years to get to and be nothing without a job and an income that will preclude a role (Alice), but also, conversely, the burden of having built a house of truth made of your roles, only to realize there's only function in those roles (Silvia), the effort to try to live of the things that we like, "Cheating" to win ten euro (Riccardo). There is a character in the novel that conveys empathy De Viola, in their way are small and uncomfortable. Yet, with a bitter taste in your mouth, you recognize certain nuances and perhaps this stems from the sense of rejection. other hand, is very well written and it is obvious stylistic research, but sometimes too obvious. 'll Notice the difference in linguistic register ego narrator, dry and laced into the narrative of the interview - very effective and successful - too refined and not spontaneous in the reflections on the novel to write. Sometimes the transition is annoying, as well as the sudden change of perspective of the narrative, but it should be intentional. There are some moments and songs that are worth the whole book: the aforementioned interview, the melancholic and cynical encounter between Alice and Sylvia, the way Alice talks about his love. I did not appreciate the trick used to finish the novel, as I did not appreciate the media platform created and built around the novel itself
supported by an ad hoc blog, a website, a facebook page. Read the birth of the novel in
novel seemed most disturbing to me is that smart.
In conclusion, good luck to De Viola and his Alice.
And considering the nice surprises I had with two novels for free available online, I throw myself on the mechanism of
forchincastro .
Last night I also saw Harry Potter and the Deathly Hallows - Part 1. Satisfactory, because after it spewed that was Harry Potter and the Half-Blood Prince (I still have murderous instincts of those who have decided that Harry intortasse a waitress in a pub), the film is faithful to the novel, insightful and mature as it should be.
The saga of Harry as Bildungsroman revisited deserves a separate post, I hope before the end of the film saga, waiting a year. Now dinner. :-)
Sunday, December 5, 2010
Rosalind Hursthouse And Abortion
started and completed (literally devoured) "Code Aggiunto" di Simone Maria Navarra in una andata e ritorno Faenza-Siena che mi ha fatto desiderare fortemente l'esistenza del teletrasporto. Treno alle 6 del mattino, coincidenza persa a Firenze SMN guardando il metallico retrotreno della mia carrozza che si allontana nella foschia dicembrina, roba da pubblicità delle gomme Brooklyn - fanculo. Al ritorno, treni con ritardi annunciati fino a 110'.
Fortunatamente avevo il fido Abelardo e, come detto, Codice Aggiunto, a fare sbollire un po' lo spirito bellicoso.
Confesso che da tempo un romanzo non mi prendeva così tanto, ho rischiato di sbagliare la mia fermata al ritorno.
Nella prefazione l'autore si scusa per il linguaggio "pesante" e l'incorrettezza di termini e concetti usati (I will not dwell on not doing spoiler, because it is to be read). Concepts do not put my word because it does not matter, but the language I found it relevant and perfectly in tune with the theme and the protagonist, with history and with what a friend called "the twist of the century." According to me the truth are two twists, but even here I do not add much to not spoil the surprise. Available free online
Friday, December 3, 2010
What Guage Is A Normal Safety Pin?
Tonight I'll be here
(and not just because I proofread) :-)
When done, shameful delay in the roadmap, "Meetings with extraordinary minds." It appeared to me very extraordinary, first of all that immense Rita Levi Montalcini, in a few pages of interview, he traced the life of the woman scientist and so delicious.
I also discovered a different approach from mine to the need for animal testing, through another of the distinguished award. I agree, at least with his head.
Now the tail of the books read is so long that'll throw a coin to decide the next method somewhat impartial and free from conflict. Since I have great nostalgia for my Abelard - the last readings were all on paper, are vying with Peter de Viola Alice nothing (head) and Simone M. Navarre with
Added
Sunday, November 21, 2010
Cheap River Rock Tile
... Guido Leotta and Franco Foschi had the third (and last would seem) of the Commissioner Colajacono adventure, "No Way Out", published by Moby Dick. Having only heard and not read anything, he immediately decided that the novels were purchased in bulk all three.
The authors have outlined briefly the first two novels before focusing on this, set in Ireland in 1989. I wanted the least possible spoiler, so I've heard very little.
Wednesday, November 17, 2010
How High To Hange Tiebacks
Et voila, I came to read
.'s Always worth losing sleep.
Messaggio a PGO: dovesse ritrovarsi un quarto d'ora libero, farei volentieri due chiacchiere. Ho una fila di domande lunga so.
Monday, November 15, 2010
White Stools After Pepto Bismol
From 2 to 5 December 2010
Theatre Antigone
Via Amerigo Vespucci, 42 - Roma (Testaccio)
Da Giov. a Sab. ore 21.00 - Dom. ore 17.30 e 21.00
L’Associazione Culturale Teatri&Culture
presenta
Non è che
tante vorte…
(one night in Rome ...)
of Dilonardo Carlo and Gennaro Paraggio
with
( in order of appearance )
Alessandro Bevilacqua ( Alvaro )
Annamaria Fittipaldi ( Maria)
Antonio Pascale ( the waiter )
Simone Perna ( an innocent dream )
Directed
Carlo Dilonardo
Assistant Director: Gennaro Paraggio
Scene and Costume Design Assistant : Vigilante Chiarastella
stills: Luigi Catalano
Sounds and Colours : Gennaro Paraggio
Poster Design : Valeria Iacampo
Organization:
Press Office: Maura Bonelli D-MOOD
INFO AND RESERVATIONS: 392.1505171
not that many Vorta ...? is a phrase used very often in Rome, replaces the most common form of slang for What if ...?
In these years spent in Rome, I heard this expression, looking the other person and / or the passing of taste and smiling. I wanted to call this show in this way, because it represents a moment emblematic of "Romanism."
The protagonists of this show, Alvaro and Maria, tell us with irony and a touch of bitterness, one of many nights on the banks of the Tiber lived two tramps: Luke she moved to Rome for his love , Roman de Rome "- despite the current conditions of life - living with pride and dignity of his past as an aspiring actor brilliant.
through the manifestation of artistic talent Alvaro, we wanted to make a tribute to the Romans and not through pills devoted to drama, music, literature source the capital, unpretentious, of course, to make an all-encompassing spectacle in this direction. These elements are a pre-text which, together with his friend and co-author Paraggio Gennaro, we hope to create a dedicated comedy fun, with great affection, colors, noises and sounds of one of most beautiful cities in the world.
Good Scene!
Carlo Dilonardo
Wednesday, November 10, 2010
Body Waxing Augusta Ga
(Warning, spoiler!)
After the surprise of the first novel and the work of the second, "The King of Games" full and complete. A mystery that seemingly starts a mystery and becomes a crime not is the trivial pretext to finally have an all-round vision of the characters and especially Massimo, who this time is the true protagonist.
Marco Malvaldi mostra l'altra faccia del
Tuesday, November 2, 2010
Ugh. These things bother me.
remains the same as one of the best discoveries this year.
Monday, October 25, 2010
Beautiful Agony Forfree
I am dreadfully behind with reading (but I did nothing).
Finished "The shell game" by Marco Malvaldi, grade 6.5. weaker and tiring of his first novel, as if the joke was sought by force, even the grandfather Ampelio is less sparkling. It reads well, that's all.
Reliable sources tell me, however, that the next read, "The King of Games" is that of maturity, we'll see. At the moment there
Bought out of curiosity, started well, with a prologue and a very black comedy from the beginning that I hope to keep macabre below.
The (mis) adventures of Aldo and Jude made me laugh until stomach pain and finish is exceptional. If he had not read it yet repent and remedies immediately.
He earned four stars in my page aNobii.
I make a gift and I dedicate a good night.
And while I'm reminded of The Cure, my favorite was this .
Thursday, October 21, 2010
Dermatomyositis Cytoxan
L’Associazione Culturale Teatri&Culture
in collaborazione con l’ Ass . Cult . Pescatori di Poesia
presenta
PAZZO D’AMORE
di Sam Shepard
(trad. Casini S.; Marciano F.; Bernascone R.)
Dal 4 al 7 Novembre 2010
Teatro Furio Camillo
con
(in ordine di apparizione)
Valeria Nardella (May), Manuel Caputo (Eddie),
Andrea Cannucciari (il old), Roger Lorefice (Martin)
Directed
ELIZABETH DE VITO
CIRO SCALERA
Assistant Director Flavia Martin
Assistants scene Federica Cavallo, Silvia Giuliano
lighting design Simon Fraser
stills Gabriele Gelsi
Organization Carlo Dilonardo
Press Maura Bonelli D-MOOD
debut November 4 at Furio Camillo di Roma "Crazy Love" by Sam Shepard, sponsored by the Cultural Association Theatres & Culture in collaboration with the ' Ass Cult. Fishers of Poetry and Lab'04, directed by Elisabetta De Vito and Ciro Scalera . E 'in 1985 the film version of Robert Altman with Kim Basinger and the author himself, and now, after twenty-five years, the drama of a society on the brink of the abyss , reflected in' damned and incestuous love between brother and sister , focus of the story, it is most tragic to date. On stage a parade of brilliant young cast and promises, in the direction assigned to 'thirty years of experience of the pair of directors, De Vito Scalera.
HISTORY
In dingy motel room, it depletes the desperate conflict between a man and a woman. Him, Eddie has made a long journey to get there to see it again. You, May, has waited for years. But after the two stands the shadow of a third man, who is waiting for May. Accompanied by the ghosts of their past, the two tell the story of their love: a love that begins in innocence of high school years, and continues over time tinged with madness, pain, brutality unexplained.
Between shots, fires and the melancholy clash between the two finds its tragic end in the revelation of a terrible secret that emerges after long years ... In their revived dormant emotions and feelings, accompanied by a dark truth, however painful.
DIRECTOR'S NOTE
incestuous Two brothers, Eddie and May, and their common father, 'the old', Three of the four main characters of this piece. Already a triangle like this, which has its roots in mythology as Rhea and Cronus, Electra, and, optionally, the same Adam and Eve, no certainly topical. And if this 'triangle' collides with the optical Martin, naive and pure friend of May, here is stigmatized the curse of the Beat Generation in Kerouac opened that long road where the furrow is still visible in the literature of our day. The story of this cursed love running between morbid sexuality and psychological power games, not forgetting action and humor. In full compliance with the pen of Shepard (1979 Pulitzer Prize for Drama 'Buried Child') we have only heard emphasize the liturgy of the reports, the crudeness of the characters and their inner dynamics . Our aim was to emphasize how più possibile i diversi piani di realtà di ogni protagonista, realtà che si attraggono e si respingono senza riuscire mai a fondersi, a collocarsi. Così come abbiamo voluto andare incontro a un linguaggio un po’ più aggiornato anche nei ritmi teatrali che sono inevitabilmente evoluti a distanza di quasi trent’anni. Operazione che ci è parsa ancor più opportuna considerata la giovane età degli attori (nonché auto produttori) che, letteralmente ‘pazzi d’amore’ per questo testo, hanno caparbiamente voluto realizzarlo.
Elisabetta De Vito e Ciro Scalera
TEATRO FURIO CAMILLO
via Camilla, 44
tel. 06 78347348 ( M - Furio Camillo)
DATE E ORARI
Dal 4 al 7 Novembre 2010
Tutti i giorni alle ore 21,00 – domenica ore 17.30 e 21.00
COST OF TICKETS
Full: € 13
Reduced: 10 €
Tribute: 3 €
are added to the ticket cost € 2 membership card to the theater, where applicable
INFO AND RESERVATIONS
to number 392 or 1505171 06 7804476
http://teatrieculture.blogspot.com/
PRESS
Maura Bonelli D-MOOD
tel. + 39 06 6280867
mob. + 39 338 4253 503
Sunday, October 17, 2010
Saturday, October 16, 2010
Broken Capillary Breast Pumping
T & C
ASSOCIATION CULTURAL THEATRE & CULTURE
for the 2010-2011 Theatre Season
presenta
la formula di fidelizzazione
“ROMA vs. TEATRO 4 A 3”
Carissimi Amici,
vi riporto un elenco di spettacoli che vedono la collaborazione e/o l’organizzazione dell’Associazione Theatres Cultural & Culture . Following the success of our previous work also obtained through the consensus of the public, we felt it should be possible to all our friends who follow our work to take out a subscription formula that allows you to watch
! 4 shows the price of 3 *!
* The viewer chooses three shows in 1 to enter "full" (Max. 20 €) and 2 to input "low" (max.12 €), the fourth it offers our association and allows the viewer to access the ticket to the show with "small-company" (max. 5 €) .
(bookings and info to the number. 392.1505171 - or by mail: assoteaculture@gmail.com).
One of the key points of our association is to popularize and spread the theatrical culture in all its forms and that is why we decided, in agreement with the companies, to create this form of loyalty to our work.
As you can see "our bill" is rich and versatile ... the choice is yours!
We thank you for your attention, we can only give you an appointment at the theater ...
Carlo Dilonardo
Ass.cult President. THEATRES & CULTURE
"The city needs THEATRE,
THEATRE NEEDS OF CITIZENS
[P. Grassi]
CALENDAR ENTERTAINMENT (INFO 392.1505171)
1) From November 4 to 7
CRAZY LOVE
Sam Shepard
Directed by: Elizabeth de Vito, Ciro Scalera
THEATRE Furio Camillo (Via Camilla 44 - Furio Camillo)
The Damnation of an incestuous love between two brothers, sons of a decline of values \u200b\u200bthat makes this piece than ever. Four characters: 'old', father 'Eddie' and 'May', e ‘Martin’, danno vita ad un intreccio di sentimenti tanto scabrosi quanto veri, scandito da azione e colpi di scena.
2) Dal 30 Novembre al 19 Dicembre
DONNE CHE VOGLIONO TUTTO
Di Rosario Galli
Regia: Luigi Russo
TEATRO OROLOGIO (Via de’ Filippini, 17 – Chiesa Nuova)
Tutto quello che si vuole avere, e che si può obtain, a matter for the flight, without miss the opportunities that life presents. And when you offers? ... Look for them. Everywhere! A history of women, some women of course, with the anxiety of doing everything, without respite, without a breather. A history of men also, of course, some men with the anxiety of talking, talking without saying anything, talk to ... to ...?
Come to find out. It will be fun. Promised!
3) From 2 to 5 December
NOT 'THAT MANY VORT .... (A night in Rome)
Paraggio and Carlo Di Gennaro Dilonardo
Directed by: Carlo Dilonardo
THEATER ANTIGONE (Via Amerigo Vespucci, 42 - Testaccio)
One of the many nights on the banks of the Tiber lived two tramps: Luke she moved to Rome to love him, Roman de Rome "- despite the current conditions of life - living with pride and dignity of his past as an aspiring actor brilliant. A comedy dedicated to colors, noises and sounds of one of the most beautiful cities in the world.
4) From December 9 to 19
Gaslight
Patrick Hamilton
Directed by: Alessandro Leone
THEATRE Trastevere (Via Jacopo de 'Settesoli, 3 - Trastevere)
A caring husband, a young wife, pale with the beauty, rendered weary by a psychological malaise that seems to beset for some time. Strange events happen in their house. The woman is on the brink della pazzia come sua madre, morta in un manicomio pochi anni prima.
Cosa nasconde quella cupa abitazione? Quali sono i misteri che la avvolgono?...
5) Dal 18 al 30 Gennaio
PICCOLI CRIMINI CONIUGALI
Di Eric-Emmanuel Schmitt
Regia: Carlo Dilonardo
TEATRO STANZE SEGRETE (Via della Penitenza, 3 – Trastevere)
A man and a woman: a love story as much (or, perhaps, like them all!). It discusses love, the contradictory truth of this sentiment, the limits can become hatred. In the extra-ordinary space secret rooms of the Theatre is staged one of the most fascinating and dramaturgical texts discussed on the couple and love. love me and then kill me, right? "-" I love you and it kills me. "
6) 8 to 20 February
DINNER WITH VERTEBRA
Di Franca Zucca
Regia: Carlo Dilonardo
TEATRO ANTIGONE (Via Amerigo Vespucci, 42 – Testaccio)
Una commedia grottesca a tratti esilarante che sfocia nell’assurdo. Il protagonista preso da un momento di infinito amore per il povero padre, deceduto da molto tempo, all’atto della compattazione di quest’ultimo viene spinto da una irrefrenabile voglia di tenerlo ancora accanto, tanto da riuscire a rubare una vertebra. Un testo che si spinge all’analisi dei rapporti famigliari con grande ironia.
7) From 'March 1 to 6
NOT STEAL
Irene Channel
Directed by: Carlo Dilonardo
THEATRE secret rooms (Way of Repentance, 3 - Trastevere)
A group of young actors have created a path of work that brutally eviscerates a human condition of non-identity. Face, with this staging, the inadequacy of the human being and young people today: the difficulty of finding un'identità, di costruirsi una vita, una "famiglia" di cui ci si possa fidare.
8) Dal 21 al 27 Marzo
L’UOMO DEI MIEI SOGNI
Di Francesca Angeli
Regia: Carlo Dilonardo
TEATRO AGORÁ (Via della Penitenza, 33 – Trastevere)
Tre giovani donne alle prese con le loro preoccupazioni quotidiane sono estasiate ed affascinate, for various reasons, the figure of a man who can hit the heart with their words, speeches, attitudes, and especially with a great story-telling ability: it will be all right? A funny comedy that could be inspired by that "trust is good, not to trust is better" ... so far the proverb, but you really can? ... Women in the audience will judge!
---
Info-tel. 392.1505171
Mail: assoteaculture@gmail.com