WISHES ....
Sunday, December 21, 2008
Alice In Wonderland High Heel Cake
TO ALL MEMBERS AND FRIENDS TO THE FAITHFUL OF OUR ASSOCIATION
PORGE MOST 'SINCERE WISHES FOR HAPPY HOLIDAYS ...
Carlo Dilonardo 
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March 2009 ....
We are working for you ..
We are working for you ..
to stage a new and exciting work that right now you are invited to participate ... 
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MARZO May 2008-July 2008 April 2007
by telephone Revision dramatic
professor de piano by Georges Feydeau by telephone Revision dramatic
By Carlo and Raffaele Manco Dilonardo In the difficult world of work that grips the young, especially if they have desires and aspirations of art, one of the most immediate sources of income is represented by the call center. Lucilla, an aspiring pianist, Renato is forced by his father to devote himself entirely to work in call centers run by his friend / entrepreneur Lanzuisi Gennaro. The only person defending the passion of the girl's mother, Clemence, which promptly collided with the devious charges against her husband's daughter claims that the passions of Lucilla not be broken by Renato as has already happened to herself , the entry under "thank you" to his father. Renato, in its rigidity, highlights the importance of a project contract with respect to what is a futile passion. Clemency regardless of the certainties of Renato contact a piano teacher to ensure that the child can realize his dream of becoming an established pianist. It will be a mistake to decide the fate of this story. The misunderstandings that often in life and in fact agree il nostro destino.
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ME, ALONE, I saw George
Taffon The show is a monologue in verse, which reproduces the metrical structure of the texts melodramatic Italian. are two characters on stage, two young women, of which one speaks. Talk to her companion, the audience and herself. It 'clearly a woman of southern Italy that is aware that violence can become an inevitable fate, which can prevent a person to act freely with the right intentions and behave properly toward others. E 'an exasperated monologue on the verge of an incurable despair, a sullen resignation. Or maybe it's the story of a horrible dream, a crazy nightmare. Or maybe it's just an appeal to herself and anyone else who wants to listen, when words seem to turn into a hymn to life and love GIORGIO TAFFON
back in time through the landing to the tragedy and melodrama Greek, this "voice", it feeds the chorus of those characters share an ancient cultural roots, the Mediterranean, where certain "powers" still refers to the family of Atreus. Tantalum commend the torture that is ever force her to testify that "she alone has seen." LELE VEZZOLI
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CUCINA ABITABILE Commedia in due atti di Carlo Dilonardo e Raffaele Manco
La vita dei fuori-sede, specie se universitari - si sa - non è facile. Trovare una stanza è arduo, ma tre giovani devono farlo: chi in cerca di lavoro, Lanfranco, un ex ricco al quale lo psicologo gli ha consigliato di intraprendere una vita fatta di ristrettezze economiche; chi in cerca di una compagna per la vita, Max, dopo numerose avventure sentimentali e chi, invece, giunto da Napoli, è lì per semplici motivi di studio pur essendo al terzo anno fuori corso, il giovane Ciro. Questi, dopo la classica ed estenuante ricerca di una stanza, si ritrovano all'interno di un appartamento nel a boy who lives a bit 'strange completely subject to the slices, Ivo. His is a sad story. The father of this man, Mr.. Andreasi, seventeen years before, he had a fling with a prostitute, the "mother" of Ivo, with whom he is madly in love, so much to believe to find it again after many years of wandering. The only memory of that woman is the picture of her for an advertisement for a company of slices. Fundamental reason of the trauma "food" Ivo. To combine these stories, Mr.. Consalvo, who lives downstairs, that he would do, from good and honest neighbor, to help Ivo, Mr. Andreasi and the three new tenants ... Things, however, are not always as they seem ... The direction is entrusted to Charles Dilonardo for this hilarious comedy with many aspects to be discovered, in which the great dramatists of 900 by Beckett and Pirandello, Eduardo Vincenzo Salemme, are covertly mentioned due respect to contemporary drama.
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