Wednesday, December 29, 2010

Men Groping On The Que

Senza titolo





Monday, December 27, 2010

An Amateur Boxers Diet

Da :-) a :-( passando per il meccanismo della forchincastro

(ie, by George Orwell to David Cronenberg without understanding why). I finished The mechanism of forchincastro available here and read for (much) curiosity, because a year here he was receiving conflicting opinions completely, enthusiastic or negative.
I do not like it. Perhaps the ideas of departure could make a very good job, but there in too much of everything and often contradictory (a friend suggests to me that the correct term is "barely coherent plot").
WARNING, SPOILER!




It opens with a beautiful setting Orwellian (the claustrophobic and suffocating presence of the Committee, the views of Genoa dying drowned in concrete, the atmosphere of suspicion and denunciation) and ends with an unlikely scenario worthy of Cronenberg's "Brood - The evil brood".
In between, a history of speed and strength (where it is unclear who infiltrates where and why), attempts to control first
disease through physical suppression of the sick (but then does not explain why the change that brings the body of the woman to produce eggs apparently accepted as a fact) and then with its forced assimilation ,
visions and unlikely places (the part of the sanctuary is a kind of dream-like brackets that you put too much in contradiction with the rest, including the final), at the end of the world as we know it - or just the end of the world, it seems to me that the most likely scenario.
Everything seen through the eyes of a member of forchincastro body's special committee in charge of "care" of patients by drawing, the subject still alive, the gland pineale e da lui raccontato in un linguaggio volutamente troppo colloquiale e che non riesce a restare tale dall'inizio alla fine del romanzo (in chiusura il protagonista pare abbia imparato una quantità incredibile di nuovi vocaboli).
La mancanza di un qualsiasi tipo di quadro temporale rende ancora più difficile entrare nella vicenda.
Avevo anche avuto il sospetto si trattasse di una metafora della società e della scena politica in cui viviamo: il Comitato che ti spinge ad omologarti e ti fa spegnere il cervello perché pensare solo a cose semplici tiene lontana la malattia, poi il cambio di rotta e la malattia stessa che potrebbe non essere un male,  la resistenza composta da oppositori che "si oppongono" per definizione ma non sanno bene a cosa o a chi (e che di fatto non disdegnano il potere), il fatto di non sapere, all'interno dei due schieramenti, chi è amico e chi no. Ma resta una chiave di lettura parziale che non riesce a collegare i troppi elementi.
Forse sarebbe stato sufficiente metterne un po' meno.
In lettura al momento ci sono Primo Mazzini
 di Simone M. Navarra e, a seguire, 

Momenti di trascurabile felicità

di Francesco Piccolo, trovato sotto l'albero. PS: A quel che c'era sotto l'albero ho promesso di dedicare un altro post. Come sempre, tutta colpa di mia sorella. O Me, maybe. Never forget that everything you say or do could be used against you. :-P

Friday, December 24, 2010

Belt Pattern Jeep Liberty

Auguri!






ODE TO LIFE (slowly dying)

slowly dies who becomes a slave of habit,
repeating every day the same itineraries,
who does not change the march
who does not risk and change the color of the clothes,
chi non parla a chi non conosce.
Muore lentamente chi evita una passione,
chi preferisce il nero su bianco
e i puntini sulle "i"
piuttosto che un insieme di emozioni,
proprio quelle che fanno brillare gli occhi,
quelle che fanno di uno sbadiglio un sorriso,
quelle che fanno battere il cuore
davanti all'errore e ai sentimenti.
Lentamente muore
chi non capovolge il tavolo,
chi è infelice sul lavoro,
chi non rischia la certezza per l'incertezza per inseguire un sogno,
chi non si permette almeno una volta nella vita, di fuggire ai consigli sensati.
Lentamente muore chi non viaggia,
chi non legge,
chi non ascolta musica,
chi non trova grazia in se stesso.
Muore lentamente chi distrugge self-love,
who does not accept help
who passes his days complaining
of his bad luck or the incessant rain.
slowly dies
who abandons a project before starting it,
who does not ask questions on subjects he does not know
who does not answer when asked about something that knows.
Let's avoid death in small doses,
remembering that to be vivo
richiede uno sforzo di gran lunga maggiore del semplice fatto di respirare.
Soltanto l'ardente pazienza
porterà al raggiungimento 

di una splendida felicità.
                                                          
                                                             Martha Medeiros
Merry Christmas,
Elisa

Tuesday, December 21, 2010

How To Know If Cartier 20-61323 Is Legit

Wednesday, December 29 @ La Casa 139: CASADOR (Alessandro Raina) + Waiting For Memories



Wednesday, December 29: Via Audio Night

arch @ La Casa 139
via Ripamonti 139, Milan

CASADOR (or singer Alessandro Raina _ GARDENS OF MIRO ', component AMOR FOU)
+ Waiting For Memories in concert

Top
H 22.00 - € 6
Subscribe Arci card with Via Audio

wants to greet 2010 in the best way, or taking on the prestigious stage
La Casa 139's solo project ALESSANDRO RAINA, leader of the AMOR FOU
and former voice of GARDENS OF MIRO '. Casador is the international project Raina,
that saw him performing for dozens of dates in Germany and Luxembourg. A project of
disarming elegance, where one of the most beautiful voices of Italy expresses beautifully
brought all their emotional accompanied by Paul Perez, who instead of Amor Fou is the bass player. In the opening
Waiting For Memories, a child prodigy of the new indie scene in Milan.


Office promotion Lunatik - 035 4421177

Ozark Trail Outdoor Equipment

in concert Tuesday, December 28, 2010 Via Audio Night @ La Casa 139: Luke NIHIL EST + Sera in concerto



Martedì 28 dicembre 2010
Via Audio Night @
arci La Casa 139,
via Ripamonti 139, Milano

NIHIL EST
+ Luca Serà in concerto
H 22.00
Sottoscrizione 5€ con tessera Arci

Come suggerisce anche il nome, i Nihil Est non si pongono esattamente come cantori della modernità. Le loro canzoni odorano di mondi antichi, di elementi primordiali, di legna, fuoco, pioggia, dipingono paesaggi punteggiati di stoppie che bruciano e borghi abitati da malelingue che si incontrano all'ora del rosario, sgozzano maiali e bevono vino da dopolavoro. E così anche la musica arriva da luoghi arcaici, is the tale told by a storyteller a winter evening ("Ten minutes on the phone") are the "moaning sluts pigs slaughtered in the country to celebrate a violin and tambourine" ("Fire"). But now the music sleeps undersold by a merchant of visions and hollow chants ", and with their violins, accordion, harmonium, but also with a dream and unobtrusive use of electronics, i want to be the Nihil Est" Modern Prometheus that contain the fire, and the muse in a hysterical and joyous explosion of color. " You will hear that stuff.


NIHIL EST

Tag Clouds night;
Seahorse Recordings www.myspace.com / Nihil Est nihilestmusic

present their first disco, "Nuvole Notturne".
Il nome del gruppo richiama le argomentazioni gorgiane sul non essere, senza assumere dichiaratamente alcuna posizione filosofica, ma semplicemente abbracciando l'ottica di un procedimento compositivo privo di schemi o stili a priori.
La band è composta da sei elementi, che garantiscono un armamentario sonico piuttosto ampio. Ma non solo…Dagli arrangiamenti, dalle aperture inaspettate che hanno molti brani, si evince un bagaglio di cultura musicale immenso. Il risultato è un disco che naviga con sapienza tra alt rock, ballate d’ambiente, elettronica e non dimentica le radici della musica italiana e in particolare la lezione del cantautorato, ben rappresentata dal flusso di parole mai scontate, sempre delicate, del cantante e autore dei testi.

BIOGRAFIA
La formazione dei Nihil Est è un processo abbastanza lungo, che parte nel 2005 e si conclude soltanto all'inizio del 2009, con l'ingresso di Jacopo al basso. Si sviluppa tra diversi cambi di struttura, genere e stile, attraverso i quali del nucleo originario rimangono solo Luca (chitarra solista) e Vito (voce e successivamente sintetizzatore e drum machine), che suonano già insieme in altri progetti dal 2002. Nel 2007 Domenico imbraccia la seconda chitarra, e nel 2008 si aggiungono Viola (tastiere, sintetizzatori, cori) e Nicolò (batteria). A Maggio del 2009 registrano assieme al fonico William Novati una demo di quattro pezzi presso il Downtown Studios di Pavia, in which to collaborate Federico De Zottis saxophone and Emiliano Bianchi (Babbuzti Orkestar) to the French accordion. The work shall be heard and appreciated by the producer Sir Paul, who proposed the group a recording contract for a period of two years with its Seahorse Recordings.

promotion Lunatik Office - 035 4421177

Thursday, December 16, 2010

Curtain For 70 Inches Window

Freeeeddo!

polar temperatures should combine intensive reading (and with all that is in the queue would not even be a bad thing), MA I discovered the wonders of Android ... and it is my downfall because the hack on the cell absorbs almost all the time that I could use to read. So I
infamous times and put in serious danger Abelard - never sleep with a player e-book in hand, especially if you sleep on your belly under. You risk waking up with her head resting on the screen of that player fractured, thinking things unique. But among - start and finish the trilogy G. Leotta, F. Foschi with Commissioner Colajacono;
- reread "Pride and Prejudice" for the annual tribute to Jane Austen. PS: Boing re-broadcast on "The charming Creamy." I thought essermene released when my sister finished primary school (1984?) And instead do not think so. The armies of little girls singing rod magica e pseudoanimaletti fatati sono il lato oscuro dei cartoni animati giapponesi, per chi è cresciuta a pane e Goldrake. Ecco, un "Goldrake contro Creamy" mi piacerebbe molto, nell'attesa di quel benedetto
Gaiking di cui si parla da un po'.

Wednesday, December 15, 2010

Whats A Good Leave In Conditionr For Curley Hair

Venerdì 31 dicembre CAPODANNO AL CARROPONTE! ANDY (BLUVERTIGO) Dj Set + BEATRICE ANTOLINI Dj Set + WE ARE Dj Set!!!




Friday, December 31, 2010 NEW YEAR TO BRIDGE CRANE,
via a Granelli, Sesto San Giovanni (MI)
ANDY (Creeper Lagoon) DJ Set + DJ Set + Beatrice Antolini WE ARE Dj Set
Gates Open: 22:30 H
Entrance: 5 €

Info line: cell
+39392 3244674 mail: info@carroponte.org


that 2010 was a year
better looking thanks to that which was awarded at MEI in Faenza
arena as the best summer of the beautiful country, or the Crane area of \u200b\u200bSesto San Giovanni,
there is little doubt. But woe to stop. The coming year is more important, and it should accept and meet him with a celebration as it should.
With the fireworks of the versatile ANDY Dj Set of Creeper Lagoon,
with that of the enfant prodige Beatrice Antolini, and the inspiration
experimental WE ARE (avant-garde collective of djs).

hard to find a lower entrance fee (5 €!)
hard to brave the cold, they will say. Who does not love to get together, we reply.
In what was the square of over 100,000 people for more than four months.

Wednesday, December 8, 2010

What Is Compatible With A Pieces

Alice senza fine, come Harry Potter






Terminato questa notte "Alice senza niente" di Pietro De Viola, anche questo disponibile gratuitamente in rete
qui , come il precedente romanzo di Simone M. Navarra. Ammetto di essere in difficoltà. La cosa più semplice sarebbe dire che il romanzo tratta di disoccupazione, della difficoltà to live with dignity with incomes close to zero, not to get the days to fill the gap by studying how to eat with two euro in two. It really is not all. First, as already written

elsewhere, is one of those novels that when you look in the mirror close to you and ask questions. There are many uncomfortable truths, in: the weight of thirty years to get to and be nothing without a job and an income that will preclude a role (Alice), but also, conversely, the burden of having built a house of truth made of your roles, only to realize there's only function in those roles (Silvia), the effort to try to live of the things that we like, "Cheating" to win ten euro (Riccardo). There is a character in the novel that conveys empathy De Viola, in their way are small and uncomfortable. Yet, with a bitter taste in your mouth, you recognize certain nuances and perhaps this stems from the sense of rejection. other hand, is very well written and it is obvious stylistic research, but sometimes too obvious. 'll Notice the difference in linguistic register ego narrator, dry and laced into the narrative of the interview - very effective and successful - too refined and not spontaneous in the reflections on the novel to write. Sometimes the transition is annoying, as well as the sudden change of perspective of the narrative, but it should be intentional. There are some moments and songs that are worth the whole book: the aforementioned interview, the melancholic and cynical encounter between Alice and Sylvia, the way Alice talks about his love. I did not appreciate the trick used to finish the novel, as I did not appreciate the media platform created and built around the novel itself
supported by an ad hoc blog, a website, a facebook page. Read the birth of the novel in
novel seemed most disturbing to me is that smart.
In conclusion, good luck to De Viola and his Alice.
And considering the nice surprises I had with two novels for free available online, I throw myself on the mechanism of
forchincastro .
Last night I also saw Harry Potter and the Deathly Hallows - Part 1. Satisfactory, because after it spewed that was Harry Potter and the Half-Blood Prince (I still have murderous instincts of those who have decided that Harry intortasse a waitress in a pub), the film is faithful to the novel, insightful and mature as it should be.
The saga of Harry as Bildungsroman revisited deserves a separate post, I hope before the end of the film saga, waiting a year. Now dinner. :-)

Sunday, December 5, 2010

Rosalind Hursthouse And Abortion

Codice Aggiunto (come evitare istinti omicidi nei confronti delle ferrovie)




started and completed (literally devoured) "Code Aggiunto" di Simone Maria Navarra in una andata e ritorno Faenza-Siena che mi ha fatto desiderare fortemente l'esistenza del teletrasporto. Treno alle 6 del mattino, coincidenza persa a Firenze SMN guardando il metallico retrotreno della mia carrozza che si allontana nella foschia dicembrina, roba da pubblicità delle gomme Brooklyn - fanculo. Al ritorno, treni con ritardi annunciati fino a 110'.
Fortunatamente avevo il fido Abelardo e, come detto, Codice Aggiunto, a fare sbollire un po' lo spirito bellicoso.
Confesso che da tempo un romanzo non mi prendeva così tanto, ho rischiato di sbagliare la mia fermata al ritorno.
Nella prefazione l'autore si scusa per il linguaggio "pesante" e l'incorrettezza di termini e concetti usati (I will not dwell on not doing spoiler, because it is to be read). Concepts do not put my word because it does not matter, but the language I found it relevant and perfectly in tune with the theme and the protagonist, with history and with what a friend called "the twist of the century." According to me the truth are two twists, but even here I do not add much to not spoil the surprise. Available free online here, do not understand why such work has not increased visibility, I read things much, much worse, published by respected publishing houses, passed off as works of art and / or exciting work debut.
And now I'm going to read more, but after the session of decorating the Christmas tree, which otherwise Bean gets angry.

Friday, December 3, 2010

What Guage Is A Normal Safety Pin?

Libri

Tonight I'll be here

(and not just because I proofread) :-)
When done, shameful delay in the roadmap, "Meetings with extraordinary minds." It appeared to me very extraordinary, first of all that immense Rita Levi Montalcini, in a few pages of interview, he traced the life of the woman scientist and so delicious.
I also discovered a different approach from mine to the need for animal testing, through another of the distinguished award. I agree, at least with his head.
Now the tail of the books read is so long that'll throw a coin to decide the next method somewhat impartial and free from conflict. Since I have great nostalgia for my Abelard - the last readings were all on paper, are vying with Peter de Viola Alice nothing (head) and Simone M. Navarre with
Added credits





(diabetic, yes, but it's not my fault, I dusted off with a friend last night). EDIT: cross

Sunday, November 21, 2010

Cheap River Rock Tile

Sabato pomeriggio alla Bottega Bertaccini...




... Guido Leotta and Franco Foschi had the third (and last would seem) of the Commissioner Colajacono adventure, "No Way Out", published by Moby Dick. Having only heard and not read anything, he immediately decided that the novels were purchased in bulk all three.
The authors have outlined briefly the first two novels before focusing on this, set in Ireland in 1989. I wanted the least possible spoiler, so I've heard very little. I reserve the comments after reading, since I'm still busy with Odifreddi and its extraordinary minds. The setting of Bottega



Side note on Saturday night: if someone says that "The Hills Have Eyes" by Wes Craven
is a cult movie among horror series B, is a hoax. I read on Wikipedia that the actors were chosen mainly according to their ability to cry on command. Likely, everything else can not do. The American family on the other hand is so unpleasant that I was almost rooting for the bad guys. Goodnight.

Wednesday, November 17, 2010

How High To Hange Tiebacks

Due chiacchiere nel salotto

Et voila, I came to read
Piergiorgio Odifreddi
.'s Always worth losing sleep.

ospitata (brrr.....) da Corrado Augias, poi il matematico scrittore impenitente. Dopo "La Via Lattea" e "Perché non possiamo essere cristiani..." questo è sicuramente altro genere, ma resta interessante e stuzzicante per la mente. La mia formazione umanistica mi limita a volte nella comprensione ma, se leggessimo solo ciò che conoscessimo non impareremmo nulla. O no?

Messaggio a PGO: dovesse ritrovarsi un quarto d'ora libero, farei volentieri due chiacchiere. Ho una fila di domande lunga so.

Monday, November 15, 2010

White Stools After Pepto Bismol




From 2 to 5 December 2010

Theatre Antigone

Via Amerigo Vespucci, 42 - Roma (Testaccio)

Da Giov. a Sab. ore 21.00 - Dom. ore 17.30 e 21.00


L’Associazione Culturale Teatri&Culture

presenta

Non è che

tante vorte…

(one night in Rome ...)

of Dilonardo Carlo and Gennaro Paraggio

with

( in order of appearance )

Alessandro Bevilacqua ( Alvaro )

Annamaria Fittipaldi ( Maria)

Antonio Pascale ( the waiter )

Simone Perna ( an innocent dream )

Directed

Carlo Dilonardo

Assistant Director: Gennaro Paraggio

Scene and Costume Design Assistant : Vigilante Chiarastella

stills: Luigi Catalano

Sounds and Colours : Gennaro Paraggio

Poster Design : Valeria Iacampo

Organization: Theatre & Culture

Press Office: Maura Bonelli D-MOOD


INFO AND RESERVATIONS: 392.1505171

not that many Vorta ...? is a phrase used very often in Rome, replaces the most common form of slang for What if ...?

In these years spent in Rome, I heard this expression, looking the other person and / or the passing of taste and smiling. I wanted to call this show in this way, because it represents a moment emblematic of "Romanism."

The protagonists of this show, Alvaro and Maria, tell us with irony and a touch of bitterness, one of many nights on the banks of the Tiber lived two tramps: Luke she moved to Rome for his love , Roman de Rome "- despite the current conditions of life - living with pride and dignity of his past as an aspiring actor brilliant.

through the manifestation of artistic talent Alvaro, we wanted to make a tribute to the Romans and not through pills devoted to drama, music, literature source the capital, unpretentious, of course, to make an all-encompassing spectacle in this direction. These elements are a pre-text which, together with his friend and co-author Paraggio Gennaro, we hope to create a dedicated comedy fun, with great affection, colors, noises and sounds of one of most beautiful cities in the world.

Good Scene!

Carlo Dilonardo

Wednesday, November 10, 2010

Body Waxing Augusta Ga

Il Malvaldi della svolta



(Warning, spoiler!)


How beautiful is the third survey of the four old men of the Bar Lume (to silence his nephew)!

After the surprise of the first novel and the work of the second, "The King of Games" full and complete.
A mystery that seemingly starts a mystery and becomes a crime not is the trivial pretext to finally have an all-round vision of the characters and especially Massimo, who this time is the true protagonist.

Marco Malvaldi mostra l'altra faccia del
barrista
, quella che non ama il mercoledì-giorno-di-riposo, che dovrà cercarsi un'altra Tiziana (pessimo scherzo, eh?), che dà agli ottuagenari complementi d'arredo del Bar Lume una bella lezione sulla vita e sulla fede, condivisa dalla sottoscritta. La svolta del titolo è sua, tutta in finale di libro, ma anche dell'autore, che ha davvero imboccato la strada giusta e secondo me se ne è accorto.
E' tutto talmente ben incastrato che persino il gessoso Fusco assume sembianze umane e diventa quasi simpatico.
Ho chiuso le ultime pagine carica di aspettative e congetture sul prossimo romanzo, I look forward to. But it seemed to me to understand, by reading the acknowledgments, that now we have better things to do. And I'm very happy.

Tuesday, November 2, 2010

Heart Gold Rom English January

Fiori animati, conigli

of rain Saturday afternoon and dad and kids wanted to try the stop-motion. A little 'busy' but I defy anyone to maintain a fixed shot with green beans on his heels who wants to give a hand ... :-) Done "White Rabbit" as mentioned above. Excellent impression. There are three or four very successful ideas in the plot, pity about some carelessness in the use of narrative point of view, a good job of editing would have eliminated and instead are still there. For example: John arrives in a place for the first time and met Tom, for the first time ever (Tom is a character that Pippo does not know yet but the reader will). Goofy does not know what it's called Tom, has not the slightest idea who he is. So why, after the physical description of Tom, I find a statement such as "It was Tom."? The writer knows, I know that player, but Pippo does not know and I'm watching the scene from the perspective of Pippo .
Ugh. These things bother me.
remains the same as one of the best discoveries this year.


Monday, October 25, 2010

Beautiful Agony Forfree

Ascoltavo i Cure

I am dreadfully behind with reading (but I did nothing).


Finished "The shell game" by Marco Malvaldi, grade 6.5. weaker and tiring of his first novel, as if the joke was sought by force, even the grandfather Ampelio is less sparkling. It reads well, that's all.
Reliable sources tell me, however, that the next read, "The King of Games" is that of maturity, we'll see. At the moment there .
Bought out of curiosity, started well, with a prologue and a very black comedy from the beginning that I hope to keep macabre below.
And then I finally read "Friday 12" Leo Ortolani, the father
Rat-Man. :-D
The (mis) adventures of Aldo and Jude made me laugh until stomach pain and finish is exceptional. If he had not read it yet repent and remedies immediately.
He earned four stars in my page aNobii.
I make a gift and I dedicate a good night.

And while I'm reminded of The Cure, my favorite was this .

Thursday, October 21, 2010

Dermatomyositis Cytoxan



L’Associazione Culturale Teatri&Culture

in collaborazione con l’ Ass . Cult . Pescatori di Poesia

presenta

PAZZO D’AMORE

di Sam Shepard

(trad. Casini S.; Marciano F.; Bernascone R.)

Dal 4 al 7 Novembre 2010

Teatro Furio Camillo

con

(in ordine di apparizione)

Valeria Nardella (May), Manuel Caputo (Eddie),

Andrea Cannucciari (il old), Roger Lorefice (Martin)

Directed

ELIZABETH DE VITO

CIRO SCALERA

Assistant Director Flavia Martin

Assistants scene Federica Cavallo, Silvia Giuliano

lighting design Simon Fraser

stills Gabriele Gelsi

Organization Carlo Dilonardo

Press Maura Bonelli D-MOOD

debut November 4 at Furio Camillo di Roma "Crazy Love" by Sam Shepard, sponsored by the Cultural Association Theatres & Culture in collaboration with the ' Ass Cult. Fishers of Poetry and Lab'04, directed by Elisabetta De Vito and Ciro Scalera . E 'in 1985 the film version of Robert Altman with Kim Basinger and the author himself, and now, after twenty-five years, the drama of a society on the brink of the abyss , reflected in' damned and incestuous love between brother and sister , focus of the story, it is most tragic to date. On stage a parade of brilliant young cast and promises, in the direction assigned to 'thirty years of experience of the pair of directors, De Vito Scalera.

HISTORY

In dingy motel room, it depletes the desperate conflict between a man and a woman. Him, Eddie has made a long journey to get there to see it again. You, May, has waited for years. But after the two stands the shadow of a third man, who is waiting for May. Accompanied by the ghosts of their past, the two tell the story of their love: a love that begins in innocence of high school years, and continues over time tinged with madness, pain, brutality unexplained.
Between shots, fires and the melancholy clash between the two finds its tragic end in the revelation of a terrible secret that emerges after long years ... In their revived dormant emotions and feelings, accompanied by a dark truth, however painful.

DIRECTOR'S NOTE

incestuous Two brothers, Eddie and May, and their common father, 'the old', Three of the four main characters of this piece. Already a triangle like this, which has its roots in mythology as Rhea and Cronus, Electra, and, optionally, the same Adam and Eve, no certainly topical. And if this 'triangle' collides with the optical Martin, naive and pure friend of May, here is stigmatized the curse of the Beat Generation in Kerouac opened that long road where the furrow is still visible in the literature of our day. The story of this cursed love running between morbid sexuality and psychological power games, not forgetting action and humor. In full compliance with the pen of Shepard (1979 Pulitzer Prize for Drama 'Buried Child') we have only heard emphasize the liturgy of the reports, the crudeness of the characters and their inner dynamics . Our aim was to emphasize how più possibile i diversi piani di realtà di ogni protagonista, realtà che si attraggono e si respingono senza riuscire mai a fondersi, a collocarsi. Così come abbiamo voluto andare incontro a un linguaggio un po’ più aggiornato anche nei ritmi teatrali che sono inevitabilmente evoluti a distanza di quasi trent’anni. Operazione che ci è parsa ancor più opportuna considerata la giovane età degli attori (nonché auto produttori) che, letteralmente ‘pazzi d’amore’ per questo testo, hanno caparbiamente voluto realizzarlo.

Elisabetta De Vito e Ciro Scalera

TEATRO FURIO CAMILLO

via Camilla, 44

tel. 06 78347348 ( M - Furio Camillo)

DATE E ORARI

Dal 4 al 7 Novembre 2010

Tutti i giorni alle ore 21,00 – domenica ore 17.30 e 21.00

COST OF TICKETS

Full: € 13

Reduced: 10 €

Tribute: 3 €

are added to the ticket cost € 2 membership card to the theater, where applicable

INFO AND RESERVATIONS

to number 392 or 1505171 06 7804476

http://teatrieculture.blogspot.com/

PRESS

Maura Bonelli D-MOOD

m.bonelli @ d-mood.com

tel. + 39 06 6280867

mob. + 39 338 4253 503

Sunday, October 17, 2010

Shorter Bamboo Blinds







Oh, yeah, I forgot, little personal satisfaction. :-D

Saturday, October 16, 2010

Broken Capillary Breast Pumping



T & C

ASSOCIATION CULTURAL THEATRE & CULTURE

for the 2010-2011 Theatre Season

presenta

la formula di fidelizzazione

“ROMA vs. TEATRO 4 A 3”

Carissimi Amici,

vi riporto un elenco di spettacoli che vedono la collaborazione e/o l’organizzazione dell’Associazione Theatres Cultural & Culture . Following the success of our previous work also obtained through the consensus of the public, we felt it should be possible to all our friends who follow our work to take out a subscription formula that allows you to watch

! 4 shows the price of 3 *!

* The viewer chooses three shows in 1 to enter "full" (Max. 20 €) and 2 to input "low" (max.12 €), the fourth it offers our association and allows the viewer to access the ticket to the show with "small-company" (max. 5 €) .

(bookings and info to the number. 392.1505171 - or by mail: assoteaculture@gmail.com).

One of the key points of our association is to popularize and spread the theatrical culture in all its forms and that is why we decided, in agreement with the companies, to create this form of loyalty to our work.

As you can see "our bill" is rich and versatile ... the choice is yours!

We thank you for your attention, we can only give you an appointment at the theater ...

Carlo Dilonardo

Ass.cult President. THEATRES & CULTURE

"The city needs THEATRE,

THEATRE NEEDS OF CITIZENS

[P. Grassi]


CALENDAR ENTERTAINMENT (INFO 392.1505171)

1) From November 4 to 7

CRAZY LOVE

Sam Shepard

Directed by: Elizabeth de Vito, Ciro Scalera

THEATRE Furio Camillo (Via Camilla 44 - Furio Camillo)

The Damnation of an incestuous love between two brothers, sons of a decline of values \u200b\u200bthat makes this piece than ever. Four characters: 'old', father 'Eddie' and 'May', e ‘Martin’, danno vita ad un intreccio di sentimenti tanto scabrosi quanto veri, scandito da azione e colpi di scena.

2) Dal 30 Novembre al 19 Dicembre

DONNE CHE VOGLIONO TUTTO

Di Rosario Galli

Regia: Luigi Russo

TEATRO OROLOGIO (Via de’ Filippini, 17 – Chiesa Nuova)

Tutto quello che si vuole avere, e che si può obtain, a matter for the flight, without miss the opportunities that life presents. And when you offers? ... Look for them. Everywhere! A history of women, some women of course, with the anxiety of doing everything, without respite, without a breather. A history of men also, of course, some men with the anxiety of talking, talking without saying anything, talk to ... to ...?

Come to find out. It will be fun. Promised!

3) From 2 to 5 December

NOT 'THAT MANY VORT .... (A night in Rome)

Paraggio and Carlo Di Gennaro Dilonardo

Directed by: Carlo Dilonardo

THEATER ANTIGONE (Via Amerigo Vespucci, 42 - Testaccio)

One of the many nights on the banks of the Tiber lived two tramps: Luke she moved to Rome to love him, Roman de Rome "- despite the current conditions of life - living with pride and dignity of his past as an aspiring actor brilliant. A comedy dedicated to colors, noises and sounds of one of the most beautiful cities in the world.

4) From December 9 to 19

Gaslight

Patrick Hamilton

Directed by: Alessandro Leone

THEATRE Trastevere (Via Jacopo de 'Settesoli, 3 - Trastevere)

A caring husband, a young wife, pale with the beauty, rendered weary by a psychological malaise that seems to beset for some time. Strange events happen in their house. The woman is on the brink della pazzia come sua madre, morta in un manicomio pochi anni prima.

Cosa nasconde quella cupa abitazione? Quali sono i misteri che la avvolgono?...

5) Dal 18 al 30 Gennaio

PICCOLI CRIMINI CONIUGALI

Di Eric-Emmanuel Schmitt

Regia: Carlo Dilonardo

TEATRO STANZE SEGRETE (Via della Penitenza, 3 – Trastevere)

A man and a woman: a love story as much (or, perhaps, like them all!). It discusses love, the contradictory truth of this sentiment, the limits can become hatred. In the extra-ordinary space secret rooms of the Theatre is staged one of the most fascinating and dramaturgical texts discussed on the couple and love. love me and then kill me, right? "-" I love you and it kills me. "

6) 8 to 20 February

DINNER WITH VERTEBRA

Di Franca Zucca

Regia: Carlo Dilonardo

TEATRO ANTIGONE (Via Amerigo Vespucci, 42 – Testaccio)

Una commedia grottesca a tratti esilarante che sfocia nell’assurdo. Il protagonista preso da un momento di infinito amore per il povero padre, deceduto da molto tempo, all’atto della compattazione di quest’ultimo viene spinto da una irrefrenabile voglia di tenerlo ancora accanto, tanto da riuscire a rubare una vertebra. Un testo che si spinge all’analisi dei rapporti famigliari con grande ironia.

7) From 'March 1 to 6

NOT STEAL

Irene Channel

Directed by: Carlo Dilonardo

THEATRE secret rooms (Way of Repentance, 3 - Trastevere)

A group of young actors have created a path of work that brutally eviscerates a human condition of non-identity. Face, with this staging, the inadequacy of the human being and young people today: the difficulty of finding un'identità, di costruirsi una vita, una "famiglia" di cui ci si possa fidare.

8) Dal 21 al 27 Marzo

L’UOMO DEI MIEI SOGNI

Di Francesca Angeli

Regia: Carlo Dilonardo

TEATRO AGORÁ (Via della Penitenza, 33 – Trastevere)

Tre giovani donne alle prese con le loro preoccupazioni quotidiane sono estasiate ed affascinate, for various reasons, the figure of a man who can hit the heart with their words, speeches, attitudes, and especially with a great story-telling ability: it will be all right? A funny comedy that could be inspired by that "trust is good, not to trust is better" ... so far the proverb, but you really can? ... Women in the audience will judge!

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Info-tel. 392.1505171

Mail: assoteaculture@gmail.com